I was looking for something on my computer, and ran across this article I wrote 13 years ago, when I first became an ARIA certified instructor. I am pleasantly surprised to see my attitude towards rider education hasn't changed, despite the years and arena miles. Unfortunately, my stage fright in front of a video camera hasn't improved either...but regardless, I thought I'd share it with you guys.
Certification
I was
working at Garland Farms in Georgia, when I decided the prestigious title
of “Resident Instructor” enough. I sent Charlotte Kneeland my money and
received a 10-pound tome entitled Horses, Second Edition to prepare for
the up coming ARIA certification. To add
to the intimidation, the certification also required me to write twenty essays
and submit a video of my teaching. The
paperwork reminded me over and over again that the video should be “an example
of my best work.”
Armed with
this information, I began to prepare.
The Studying: Back to the books
I bravely began to study. Horses, Second Edition by J. Warren
Evans of Texas A & M is a very comprehensive, detailed textbook. In short, it is dull. I placed it next to my alarm clock determined
to read some each night. Within a week I was referring to it as The Cure for
Insomnia. Although I was sleeping
better than I had in months, I almost suffocated twice. A word of advice –
never read in bed with a 10-pound sleeping pill on your chest.
In spite of nighttime setbacks I
was learning from Evans. And so were my
students. My Illinois students have long
been familiar with my “do you know and do you care facts.” Now Georgians were getting their share.
I’d greet a
student with “How was your day? Did you know a horse sleeps flat on his side
for approximately 2 hours a day, broken into 7 1/2 minute increments?” Or while grooming I’d say to another, “Those
hard spots on either side of the tail are the ishial tuberosities.”
At first they
would smile. I think they thought it was
cute. After a few weeks they’d gently
steer the conversation to other topics. When I got to the chapter on
internal parasites they would slowly slink into the tack room when I
appeared.
The Essays: What makes me tick as a teacher?
In between
my late nights with Mr. Evan’s writings, I tackled the essays.
The essay
questions were very straightforward.
Actually, it was their directness that made them so difficult. They required me to look at not just what I
was doing, but why I was doing it.
For example, one question regarded the role of
competition in my lesson program. I have
encouraged my students to compete, but never pushed them to do so. What did that say about my teaching
program? What role does competition play
in my student’s education? Is that the
role I want it to play? Do my actions
support my ideals? All this
introspection was making me dizzy.
Another question asked me to
explain my philosophy of teaching. At my
ripe old age of 28 I had actually given it a lot of thought (actually, every
time Dad asks why I’m not using my college degree), but forming those thoughts
into coherent sentences, that was another thing. I came up with the following:
I firmly believe
that riding instruction is not really about teaching riding, it’s about
teaching confidence. Confident riders
feel secure both physically and in their abilities. To help this I require safe attire and try to
put the rider on a suitable mount. To
make the student feel confident about her abilities I try to break each
movement and/or exercise into smaller pieces and work each piece before putting
them together as a whole unit.
I try to teach
the rider to listen to her horse. I
strive to teach them to use the aids to communicate with their horse, and to
use the horse’s reactions to those aids to further refine the
communication.
I believe good
riding gives the horse no reason to resist doing the correct work. I utilize the training tree to help students
evaluate where they are in their training and to give them a framework to
further their progress.
After I finished I quizzed one of
my long-time students as to what she thought my philosophy of teaching is. I was delighted to find our answers matched.
After several drafts of each answer
I was finally satisfied.
The Video: A Star
is Not Born
Now came the bigger challenge, making an example of my best teaching.
I assembled my brave student Katie
Patton, Gina and John Krueger’s stallion Pik Winland, and our faithful farm
videographer Dot Brock. The weather was
beautiful, the outdoor arena was groomed and ready, my lesson plan was planned
and planned and planned again.
Dot started
rolling tape. My palms began to
sweat. My stomach started
fluttering. I suddenly developed a
stutter. I couldn’t tell my right from
my left. Not good.
I took the
video into my cabin, locked the door, and pulled the curtains. Then I made myself watch the video. I tried to be objective and stick to what I
can improve. I came out with my ego in a
bag and two pages of improvements. First
on the list was “teach, don’t just direct traffic.”
Now I
understood why the testers recommended making practice tapes.
I tried
again.
And again.
By the 4th
time Dot commented that my stage fright was becoming chronic.
I watched
all four videos back-to-back. The one
with the best teaching was the one we did as an “experiment.” Dot was figuring out her new camera and the
video came out in black and white. I
wasn’t dressed properly (I had on one of my long college sweatshirts and a ball
cap – I looked about 12). Halfway through taping the skies opened up and rain
poured. But the teaching was solid.
Not having
the heart to put my friends through another session, I decided to submit it.
The Test: Fear’s moment to shine
Test day
arrived, and in my nervousness I arrived 45 minutes early. Those 45 minutes stretched into years. I worried.
I fretted. I peered at each of
the three other testers. I was convinced
they were big-name trainers with walls and walls of ribbons. I was sure their student roster read like a
who’s who of NAYRC medallists.
And I was
just a lowly working student turned resident instructor.
Then one of
them said “Are you as nervous as I am?” and I realized they were 3 other professionals
just like me. We were all interested in
providing safe, fun educations for our students. We worried about liability
laws, correct turning aids, and finding time to get the laundry washed. We put our riding pants on one leg at a time
-- even the gal with a world champion saddle seat equitation title-holder for a
student.
The test
itself was straightforward and to the point.
You either knew the answers or you didn’t. I thought I did.
The Wait : The Demon Doubt
Then I went
home to wait for my results. I waited
and waited and waited some more. At the
end of week one I wondered if my essay answers were complete enough. Week two I dug out my text and looked up
migration patterns of strongyls, convinced I had made a muck of them. By week 4 I was sure I couldn’t saddle a
horse correctly.
My students
suffered with me. They tried in vain to console my doubting heart.
Then the
day arrived.
I opened
the envelope with trembling hands. When
I saw the words “Level III Dressage” on my certificate I squealed with
delight. Then I saw my scores – 99% in
dressage, 99% in general horsemanship and the words “a very fine lesson” on my
video critique sheet. The only negative comment was my “lack of professional
attire,” and I could live with that. I
was sure it was Christmas.
The Aftermath :What had really been tested
In the days
that followed I did some soul-searching.
I asked myself why had I
felt the need to tackle this test. I am
the same person now as I was before I had climbed to the top of my mountain and
discovered it was really a molehill in disguise. I was pretty sure I was a good
teacher before I took the test. Pretty
sure, but not completely sure.
Passing the
test with flying colors gave me the confidence to believe what my students and
their mounts had been telling me. I do know my stuff. I do
communicate it clearly. I do get results not only because of
the depth of my knowledge, but also because
of my love of that knowledge. My
definition of excellence is
high enough. All of these things were in
place before I became certified.
The certificate just affirms it.
Preparing for and taking the test
didn’t change my teaching, or even my outlook on teaching. It did change my outlook on me. I had been a working student for two years at
test time, and had beforehand spent a few years as a “working amateur.” I still
saw myself as the gal who taught at the local hunter-mill on Saturdays, or the
assistant to the “real” instructor. I
did not see the dressage professional my years as a working student had molded
me into. Taking the test not only
affirmed me as a teacher, it affirmed me as a professional in my own right in
my own eyes.
I know that is the most valuable
thing the test could have given me.