Wednesday, February 19, 2014

My Personal Trainer made Headlines!

Several years ago, I suffered a whip-lash injury to my lower back. While it was healing, I began to understand why riders gave up riding. I REALLY don't want to be one of those people, so I started looking for a personal trainer to help me stay strong in the right places, so I wouldn't wear my body out riding horses every day.  

I tried several different trainers, and they wanted to either make me into a body builder or an anorexic gymnast. Carolyn was the first one who actually listened when I said "if this doesn't make me ride better, I won't stick with it." And best of all, she's the first one who actually let me put her on a horse. 

In addition to my workouts, Carolyn has developed an Equestrian Boot Camp that we run here at SFD on Saturdays. Between her own riding (yep, that first ride was not a one-time event!!) and my feedback, she has created a system that incorporates cardio, core work and balance work. Believe me when I say this -- I can tell which of my students are in her class and which ones aren't.

So when the reporter from Suburban Life asked if I'd be willing to be interviewed for an article about Carolyn's fitness work, of course I agreed. Below is Carolyn's article. It's a bit hard to read, if you want me to send you a more legible digital version, e-mail me at ange@straightforwarddressage.com






Monday, February 3, 2014

Vocab lessons


 Recently, I have had an influx of new students. Whenever a new rider comes into my program, vocabulary plays a big part in the first several lessons.  Creating a standardized set of terms to communicate about training is crucial. Which got me thinking about of how much dressage-ease differs from standard English.  For example:

Relaxed = Attentive

Light = Steady

Submissive = When the horse lets you control of each of their body parts easily.

Suppleness = Adjustableness.  In other words, can the rider control the wiggle?

Connection = When the reins have a steady taughtness to them that allows the horse to use their topline correctly to re-circulate the power from the hind legs over a swinging back.

In front of the leg = The horse’s energy is under the rider’s control, regardless of the speed or the tempo.  The test of “in front of the leg” is when the rider puts the leg on the horse should make a polite change in the feel in the hand.

Behind the leg = The rider is not in charge of the energy. Sometimes it presents as the horse going too slow, sometimes it presents as the horse getting quick and running from the leg.

Bend = Creating and controlling an even curve along the entire horse’s spine, and placing that curve in front of the inside hind leg. Some parts bend more easily than others, so sometimes creating bend means straightening the neck. When the curve is placed in front of the inside hind leg, the power of the hind leg helps push the withers uphill. The amount of bend is determined by the line of travel – ie, a 10 meter circle needs more bend than a 20 m circle. The most extreme example of bend is walk and canter pirouettes. In those movements, the inside hind leg always steps straight, never crossing the outside hind.

Collected = Lots of power held back a bit by the balance and angle of the rider’s seat.  Since the horse really wants to GO, the rider sits with their core tight and pelvis angled in such a way so the horse’s desire to GO becomes uphill balance.

Uphill = When the energy created by the horse lowers the croup and causes the withers to lift. Sometimes it can be felt by a change in the balance of the saddle. Sometimes it can be felt by an increase in shoulder mobility. Sometimes it can be felt by an ease of the movements. Sometimes the mirror is your best indicator.

Plus there are a few golden rules of dressage in our barn:

When in doubt, do the opposite.   When the horse feels stiff and all you want to do is hold the bend, move them in and out of the bend. When they feel quick and you want to hold them back, put leg on and push the energy forward, then allow the horse to come back.

It takes more leg than you think.  Particularly when the horse is learning collection. Or learning leg yield. Or pretty much anything, for that matter.

This is a sport.  There are times you’ll be tired, times your abdominal and thigh muscles will be sore. Times when the best thing to do is spend some time off of the horse cross-training your balance and core muscles.

This is supposed to be fun.  No matter what, enjoy the ride.








Thursday, January 23, 2014

FEI Conference Through Different Eyes

I flew home from the FEI-level Trainer’s Conference in Florida last night. On the ride home, as I was thinking about how to organize this blog, I tossed around a few different angles-- how Steffen Peters and Scott Hassler clearly showed all of us the lessons each horses had for us, how the inspiring lessons make me want to come home and train with more clarity, how re-setting my standard this time of year is so crucial in the hard-to-stay-motivated cold, how sitting in front of such clear communicators makes me want be a better teacher, but really, all of this has been covered so beautifully on other blogs, such as:





Then I thought of what made this experience different from last year’s trip south, and I had my angle. This year I shared the inspiration.

This year my assistant trainer, Maddy, joined me on the trip.  I wanted Maddy to come because, although she has watched Scott teach me many, many times, she has not had the opportunity to watch the progression of horses from first level to schooling GP back-to-back like this before. Also, when she watches my lessons with Scott, because I have been working with him for many years, the lessons aren’t filled with as much explanation as when he takes the roll of facilitator.  I wanted to give her a crash course in the training approach I have been trained in.

Additionally, this year again I was able to spend a very brief time watching Catherine Haddad train. Maddy got to see not only good training and riding, but also Catherine’s assistant take the roll of her eyes-on-the-ground, a role I want Maddy to learn to take.  I haven’t had an assistant that was confident enough to take that role in a while, and now that Scott’s barn goes south for the winter, I’m really feeling the lack. 

Monday and Tuesday, we watched and let our cognitive learning absorb Steffen’s effective, quiet seat while he and Scott’s words explained the order of their priorities in each phase of the training. We took pages of notes, and Maddy even stole a little cell phone video to watch Steffen’s canter seat over and over again.
 
After watching all day, we had dinner with our friends, Lauren and Fiona, who had also came down for the Conference, and discussed what we saw. Fiona has a gift for starting conversation.  I loved watching Maddy start in role of listener, then, as our conversations confirmed her ‘eye’, begin to contribute to our discussions.  We talked about Steffen’s training approach -- how he was willing to use more advanced movements to improve the overall thoroughness of the basics, and how the basics improved the movements themselves.  We talked about his rather short training sets, and how they would work in our colder temperatures. We discussed his amazing ability to get the horse to offer the movements. 

Fiona asked what we were going to do with this knowledge when we got home, and Maddy right away answered that she was going to bring Silly’s talented canter more uphill, and use it to make her “just overall better.” She also said she was eager to go back in the show ring on Venus, who has been helping Maddy find her show-ring skills after being away from the competition ring since high school, and really think about working the show ring to make Venus really shine.  

Needless to say, this all made me quite proud. Educating horses is my passion, but I can only train as well as my teachers have trained me.  As a thank you to all of the wonderful instructors who have not only taught but mentored me, I feel an obligation to do the same to the next round of professionals.  Maddy is not the first young professional I have helped, nor will she be the last, but since I taught her to canter when she was a kid, watching her turn into a confident, skilled horseperson is a particular joy.

P.S. I want to say a special thank-you to all of those at home who made it possible for Maddy and I to both be away, particularly with the Polar Vortex descending in our absence.  Doug, Joyce, and Aneesa, you are all wonderful people and I am truly in your debt. Thank you again.


Now out to apply it all in the balmy 14 degree weather. 

Tuesday, December 10, 2013

Dressage Boots

  
Usually when I get the opportunity to do something really exciting and special, there’s some kind of back story.  That back story comes up over and over again when we reminisce about our horse experience, i.e., the clinic where I misread the directions and went to the organizer’s house in a downtown Washington DC subdivision instead of the barn, the show where I was 4 hours from home with 2 horses to show and no girths in my trailer, the dead bird story, well, you get the idea. 

These stories also make great fodder for the blogs. 

As I was thinking about this weekend and organizing the amazing lessons I enjoyed with Debbie McDonald, I thought I would tell the story of my boot saga, complete with me somehow agreeing to be part of a fashion show.

Us crazy dressage riders, in addition to putting ourselves up against the impossible standard of “the perfect 10,” with the equally impossible standard of trying to not stain really expensive white pants in a very dirty barn, insist that our very tall boots are much stiffer than the boots of our other equestrian friends. Much, much stiffer. Like you can bang on them with your knuckles and they sound wooden stiff.

The boots are all leather, and like all good leather shoes, there is a break-in period. The boots are fitted so that when they are new the leather hits the middle of the knee cap, so that when the ankle area softens (the only part of the boots that will soften, by the way) and the boots “fall,” they are still tall enough to come to the back of your knee. Needless to say, until the ankle softens, walking around, mounting, and riding is painful, often bloody torture. But once broken in, they mold to the legs like chocolate on caramel.

So, obviously, we dressage riders will go to great lengths to avoid breaking in new boots. We will repair, resole, replace zippers, anything to delay the break-in period. I bought my show boots 10 years ago, when Silly was 5, after Dressage at Devon.  I was SO STUPID EXITED to get to ride at Dressage at Devon.  After 4 years as a poor, hard-working working student, I was finally getting to ride at A BIG SHOW. 

We arrived the night before, and my old boots didn’t have zippers. I put them on to ride, and because it was evening, my legs swelled. I couldn’t get them off.  On the advice of Silly’s breeder, I laid on my back in the barn aisle with my legs in the air to try to get my swollen legs to un-swell enough to remove my boots.  Yea, this is big time horse showing at its best.

My next pair of tall boots had zippers.  I didn’t want to go to the expense of full-custom, so my semi-custom options were really tall or just at the knee cap.  I went with the knee cap size. Once they had broken in, they were a tiny bit on the short side, but not floodwater geeky-kid short, and they were broke in, so in mind they were perfect. 

As they aged, the ankles got a bit softer.  I replaced the soles.  Then I replaced the zippers. Then I did the the soles again. Then the zippers.  A few years ago I lost a bit of weight, and I needed to have them taken in.  My boots came back, well, not my boots. The widest part of the boot wasn’t really lined up with the widest part of my leg.  But they were still better than breaking boots in, so I wore them. 

The advantage of boots with zippers is they are much easier to get on and off, but the zippers need regular repair. Sometimes it’s the zipper that gives out, sometimes it’s the stitching around the zipper, which lies against the saddle, and therefore is subject to a lot of friction.  Plus leather is weakened by the stitching holes.  So after much riding and zipper replacement, the time comes when the leather is just too weakened, and the boots just need to be retired. Since my faithful boots also had developed holes in each ankles (I was dumping sand out of them daily), it was time. 

So it was time to start the whole cycle over again.  Again I had the choice of a little too tall or just at the knee, and this time I went with too tall.  But of course that size was on backorder. No biggie, show season had just ended, I could easily come up with 4 or 5 weeks between October and April to break them in.   

Then Secret and I got selected for the December Debbie McDonald clinic at Hassler Dressage.  And I had boots with big holes in the ankles and zippers that were failing. 

I called the store, and they promised to have them drop-shipped as soon as they could, but no promises as to exactly when I would have them. 

As I couldn’t very well ride for Debbie McDonald in my sneakers, I took my boots to my cobbler yet again. He said he would patch the holes and replace the zipper, but he wasn’t sure the stitching would hold. 

I picked them up and sure enough, on ride 2, the leather gave out.  Of course it did.

But good news -- that day the tack store called. My  boots were in. They arrived Thanksgiving week, giving me a whole whopping 2 weeks to get them broke in enough to ride effectively in front of 100 auditors. 

Did I mention that I ordered the extra tall boots?

I added heel lifts, and walked like the Tin Man to the mounting block until my thin chestnut-mare skin needed a few days off. Linda reminded me of the “sponge trick,” putting small, round tack sponges at the back of my knees to soften the stiff top edge of the boot. 

This helped a lot, but I really didn’t want to ride around with yellow discs at the back of my knees in front of auditors, then Maddy came up with the idea of using the black foam poll-protectors.  Perfect! I was still mounting with something far less than grace, but by the Friday before the clinic, I could bend my knee enough to move my leg back without grimacing. 

My Tin Man days were over. Or so I thought.

As part of this clinic, Hasslers was having a Christmas Shopping Extravaganza on Saturday night. Susanne Hassler asked for volunteers to help. I, of course, offered my services, hoping she needed someone to refill wine glasses. But no, she needed people to model clothing for one of the venders.  Me, who lives in fear being called by “What Not to Wear,” modeling clothing? All of us at the barn were quite entertained by the idea.  But the shop owner agreed to let me wear that brown tail coat I have been drooling over for 2 years, so ok, fine, I’d do it.

Then she hands me the boots to go with it. They looked great with the coat – they were tall, chocolate brown, a bit of bling on the top, and just looked expensive.  And they are really, really, really tall. Like over the top of my knee tall. 

And I am supposed to walk down stairs in them. 

Um, well, ok, I guess.

Just to make matters all the more comical, the DJ starts playing “Save a Horse, Ride a Cowboy” just as I begin my lurching, rail-clutching descent.  It was all too much, I burst out laughing. 

I did my loopdy-doop around the audience, and then I was supposed to walk back UP the stairs.

Remember, I couldn’t bend my knees in these boots.

So I elegantly, in the most awesome runway-models strut, I crab-hopped sideways up the steps, hanging onto the banister for dear life.  

I don’t think the runway holds much of a career for me. 

The rides? Yep, they were awesome. I’ll give you the low-down as soon as I get caught up  enough watch the DVDs -- we ended up spending another night at Riveredge, since the snow came early causing traffic mayhem (my students who came to watch made the 90-minute trip home in a record 5 ½ hours). 

More later. 







Wednesday, November 6, 2013

Trickle Down Training

Slingshot at the Big Fall Show


Last Sunday marked the official end to SFD’s show season with OVCTA’s Big Fall Show. As I took my whites and show coats out of the trailer, I was thinking about the year.  This year I have had several horses accomplish some wonderful things in the show ring, and all of my mounts seem to be making steady, consistent progress, even the ones that haven’t headed down the centerline. Which got me to thinking about trickle-down theory.  But because I am a horse trainer and not an economist, my thoughts centered around centerlines, not dollars and cents.

Secret and my road to Sport Horse Nationals began last January, when I started focusing on every detail.  I was fresh back from auditing the FEI Symposium in Florida, with Steffen Peter’s admonition to “ride every movement for a 9, every day,” fresh in my mind. If I asked for a canter from the walk, and she tightened her neck even a bit, we’d do it again.  Every halt needed to be square.  I kept telling Linda, “it’s a competition year, not a training year.”

But in retrospect, I think I was a bit incorrect. 

So I spent the spring and summer perfecting Secret’s reactions, and, as is her nature, she became a more and more obedient girl. We clearly defined the beginning and end of each movement, every time, until it became habit.  If she did something less than a 9, the thought in my head was “Secret, we can do better.”  Before long, I knew I could count on the canter-walk-canters, the straightness of the centerlines, and the steadiness of the left shoulder in.

Since habits are habitual, I found that mindset trickling over to the other horses. I insisted that my all of mounts be calmly obedient, even the ones who were not heavily campaigning.  Venus became more obedient in her canter-walk transitions. Flash started to wait for my seat, which made the little pinto-power bounce even more. Sling became steadier in the connection.  Ember and ET, the 4-year-olds, became more consistent in their reactions to the leg aid. Star, the fun little sales horse who moved on to her new home in August, became more focused on me and less on her environment.

So the summer training continued, and my habits evolved.  If I wanted to ride every movement for a 9, I needed to make sure my mounts were right with my aids, every moment, not just when I needed to ask for the 9.  I started to utilize more range in my half-halts–in addition to a preparation half-halt and a re-balancing half-halt, I began to use a smaller, more subtle “are you with me?” half-halt when I was focusing on the quality of the gaits and the harmony.  Not surprisingly, my mounts improved not only in more prompt responses when I used a stronger, preparatory half-halt, they began to show better quality of gaits and harmony.  My increased focus on my half-halts was trickling down to increased focus from my horses.

Focus, like habits, develop over time.  One horse, in particular, showed amazing growth in his ability to focus.  Sling, who we refer to as “ADD boy,” started his season doing well in the numbers, but I wasn’t completely happy with his rideablilty in the show ring. So once he earned his regional qualifying scores, I decided to keep him home.  

The only catch with staying home is at home it is easy to miss how much things are improving, especially things that develop slowly. So totally I missed just how well he was beginning to lock into my seat.

Then I took “ADD Boy” to the Big Fall Show, in the gusting, cold wind, and rode First 2.  He was with me every step of the way. His back was so connected to the movements of my hips that it felt like he was following my thoughts.  Lisa Schmidt, the judge, noticed, and rewarded the ride with a 71.89%, a 7 on submission, and an 8 on harmony.   And it wasn’t a fluke—he was super in both clinics he attended this fall.  Both Catherine Haddad and Lendon Grey both commented on his obedience and work ethic.  He needs a new nick name, “ADD Boy” no longer fits.

My springtime comment to Linda proved to be inaccurate. The increased focus on the details required to excel in the competitive arena had directly improved the training overall. Secret’s big year had trickled down to create a flood of improvement in all of my horses.


  




















Monday, October 7, 2013

Sport Horse Nationals 2013


Secret believes ribbons should be carrot flavored.
Dressage at Devon was last weekend, and for the first time in 9 years, I didn’t enter a horse. I have two 4-year-olds on my ride list and Harry is a year old now, so I had horses eligible for the breed show, but back in January I decided to skip it this year.  What would entice me to keep my youngsters home from the largest breed show in the country you ask?  Sport Horse Nationals.

This year Sport Horse Nationals was in Lexington, VA, which is only 4 ½ hours away, as opposed to Idaho, which is 2 days away. Secret has been the wonder girl all season, so I wanted to see how she compared to the best Arabians and Half-Arabians in the country.   So we sent in an entry and packed the trailer.

Because Sport Horse Nationals is limited to Arabians and Half-Arabians, unless you ride in a predominantly-Arab barn, chances are your coach isn’t available. So, like at many Arab shows, we do some coach-swapping.  Aneesa, who is a regular student of Cara Klothe (who, while she was in college, trained and taught out of SFD, and now works as assistant trainer at Rolling Stone Farm) trailered over a few weekends before so she could polish Par’s performance and we could get re-acquainted with each other’s styles. Cara and I have tag-teamed Aneesa’s show coaching a few times in the past, so shortly I felt up-to-speed to wear the coaches hat.

I also was in need of warm up eyes, so when my friend Lauren asked for warm-up assistance as her trainer Anne Rawle wouldn’t be making the trip, I jumped at the chance, but only if she’d be my warm-up eyes too.  I went down to her place and watched her take a lesson with Anne, and she came down to Hasslers and watched a lesson with Scott.  Lauren, being Lauren, took copious notes, and showed up with her notebook in warm up. 

I felt more prepared to help Aneesa, but the way the times came out, I was going to be en-route when she was doing her training level class. So the week before we spent a lesson on warm-up priorities and the stages of warm-up, including timing how long it took for Par to reach each stage.  Lauren’s first ride, at First level would also be during our travel time, so I put Secret in the trailer and headed to Lauren’s so Lauren and I could practice warming each other up. And time each other’s warm-up. Linda also video tape our test run-throughs so I could use that to help my final preparations.

Between the time with Scott and all of this warm-up preparations, Linda and I figured we’d done all that we could do to help Secret show her best. Now it all came down to judge’s opinion, who managed to have the better ride that particular day, and what curve balls Mother Nature would throw at us.  

Of course, we were all hoping that we would show our best. Arabs do things a bit different than the open shows. For example, in addition to huge ribbons and lots of flowers, National Champion and Reserve National Champion received coveted Arab statues given as trophies.

But trophies weren’t the only thing on the line--in Arabs, competition results actually change the horse’s name. When the horses earn enough points and enough championships, they get their names changed to add +, +/, ++// etc. after their name. It’s kinda like wearing their resume whenever they enter a show.  These are really huge milestones in the Arab world, with the horses being honored with a presentation in the main show ring, often followed by a barn party.

Secret has already earned her +/, and being a half-Arabian who only competes in dressage, has only one more / she can earn.  In order to get it, she needed to win a Top 10 finish at a National Championship and earn a bunch more points.  Paradox needed a few more points for his /, and a Top 10 is worth a whole bunch of points, so Aneesa and I were both working on show nerves well ahead of the shows.  Starting a week or so before, she started texting me to say the anticipation was killing her. I started having nightmares about halting at X, and sudden snow squall blocking my view of the dressage letters. Yea, this was a big deal.

Despite this anxiety, Aneesa managed just fine without me. She ended up 3rd in the quite-competitive Amateur Owner Training Level class, earning Par a new / after his name.  She missed reserve champion by .1 of a point, and spent the rest of the week letting me know it was my fault for not getting up earlier to make it to Lexington in time to warm her up.  My retort? Your 20-year-old horse is 3rd best horse in the country. And she didn’t even NEED a coach for that.

Lauren, who hid her show nerves much better than Aneesa and I, piloted Breeze around  the sandbox for  a quite nice First level ride that finished 3rd,  earning another top 10 ribbon.

Lauren’s Prix St George ride was next to go, and Linda and I made it there in time to help her warm up.  She was a bit insecure about that ride as it is her first year at FEI, but she and Savannah warmed up well. That is, until the amazingly cheerfully-on-top-of-things-for-five –whole-days ring steward (the woman deserved a medal) called that the ride before was circling the ring. I watched her lower back stiffen, and instantly Savannah, her very, very honest mount, forgot how to count tempi changes.  In desperation to help my friend relax RIGHT NOW, I went with humor.

“Lauren, pretend it’s Friday night, you only have $5, and want to drink all night. Shake your booty, girl!” Lauren promptly busted out laughing, shook her hips, and went in to ride a national top 10 Prix St. George worthy test, complete with accurately-counted changes. To top it off, she earned her final score for her USDF Silver Medal.

Lauren rode Savannah again on Thursday in her 4th level class, again earning a top 10, with a score over 68% from one of the judges. 

Finally, on Friday, Secret and I had a go in our 3rd level class. There were 33 other pure Arabians and Half-Arabians in our open division, with  lots of +/, ++//, ++++// after their names. Linda and I wanted a top 10, but with the quality of the purebreds and the warmblood crosses in our class, we weren’t sure if it was realistic. We were in the first hour of our class, which ran nearly 5 hours long.

The dressage arenas were on the top of the hill, and our stabling was in the far back corner. Linda and I nearly wore our shoes out walking up and down the hill checking scores, which were slow to come out. We walked, and waited, and walked, and waited, did a little shopping, then walked up the hill again.  Finally, after all of that walking, we got our score – 8th out of 33, for a top 10 finish.  Mission accomplished.

Sunday was Secret’s Second Level championship, but Saturday afternoon the skies opened up. Secret is a really good girl, but slippery footing scares her. She hates the splashing and slipping, so she’ll hold her back and shorten her neck.  Which is a huge improvement—a few years ago she would leap the puddles and kick out at the mud.

Sunday morning dawned foggy, so not much hope of the arenas drying out. I walked up to check the different warm ups and see the condition of our assigned ring. I took a few steps at M, the low point in the arena. Yep, it was splashy and slippery. Linda and I agreed that it was a good thing we had already earned the needed top 10, and with the footing it was anybody’s game.

I warmed up in the one arena that had some dry areas and some puddles, so I had a chance to get her loose and to get her acclimated to the mud separately.  We went in and did our thing, and Secret was a bit tight in the neck, and it showed in her mediums which were a bit running, but otherwise she was a good girl. She didn’t leap or dodge any puddles and did everything I asked her to do when I asked her to do it. As scared as she gets in the mud, I couldn’t ask for anything else. I was really proud of her.

Lauren, who had watched more of my class (I tend to avoid watching my classes, it just makes me nervous), said a lot of the horses were having trouble with the footing. Since there were only 15 in my class (they divided purebred from half-Arab at 2nd level), we figured we would need to stay for awards. Which, of course, was the last thing of the day on Sunday.  So we waited. We took our time packing, did another tour of the shopping, and generally killed time. We waved Aneesa off in the morning, and Lauren off in the afternoon. And waited some more.

Again scores were slow to come. We joined the mob at the dressage office. Or I did, as Linda couldn’t look.  When I told her Secret was Reserve Champion, Linda didn’t believe me. She made me look again. Even on second look, Secret was still Reserve Champion.

So Linda and I celebrated Arab style, with some over-blinged-up gaudily embroidered ego-jackets that declared BR Danny’s Secret as Reserve Champion and Top Ten Sport Horse Nationals all over them. If Secret gets her resume attached to her name, well then Linda and I will wear it as well.  And we wore them we did, at Dressage at Devon the following weekend. Of course we did.


Secret's haul from Sport Horse Nationals



Back of the ego-jacket

Front left of the jacket. Go Secret!

















Thursday, September 26, 2013

Intensive Training

As pretty much everyone knows, I’m very committed to my education as a rider.  I fit in lessons as often as my schedule and budget allow. But like everyone, I always want more, so over the winter, I decided to turn my dream into a plan. I wanted an intensive time of lessons.  The obstacles, of course, were time and money.  

Linda was fully behind me, as it would give me intensive training time to prepare Secret for Sport Horse Nationals.  So that gave me a concrete timeline, instead of that elusive “as soon as ___(fill in the blank with whatever we choose to limit ourselves with)_____” that allows us to postpone of our dreams– the timeline was August or September, 2013.  I contacted Jann, who does the scheduling for Scott, in January to get on the calendar. This was well before I had sorted out the funds, but I had time.

Linda was willing to support Secret’s bill, but if I was going to do this, I really wanted 2 lessons a day.  I wanted to really make the most of it. 

I put my jumping saddle on the market and ear-marked those funds for “Ange’s training trip,” but honestly, my jump saddle wasn’t much, so it didn’t bring in much 

Then, in May, a former student’s family, Alexa, Dawn and Dave Derr (who, after spending the winter in WIT, moved on to Lendon Grey’s capable guidance for her emerging FEI career), handed me an envelope. The front of it said “An investment in knowledge pays the best interest. ~ Benjamin Franklin.” Inside was a note that Dawn had looked into a way to start an online fund for my continuing education, but the choices were pretty varied in benefits/limitations, so they hoped that the enclosed money would be a jump start to my continuing education fund.  I was completely speechless I opened the card. Wow.

With these three sources, I had about 2/3 of what I needed to pay the Hassler bill, not counting travel time and lost wages.  Then, in mid July, I received an e-mail from the American Morgan Horse Institute, asking for a photo to include in a press release she was writing about the 2013 van Shaik Scholarship winners.  I had applied in late 2012 for training with Eclipse, but he had retired in January, and I had forgotten all about it.  Apparently the letter announcing I was a scholarship recipient had been lost in the mail.  I now had enough money to fund my trip, I just needed a Morgan to spend it on.

First I called Liz, who owns Rocky, a talented Morgan I had backed for Ensign’s Grace Farm several years ago and continue to train for Liz, who bought him at 4, to see if she’d mind if I took him to Hasslers for 2 weeks.  She readily agreed.  Then I contacted the AMHI Scholarship chair to make sure I could use the funds for Rocky instead of Eclipse, to which they agreed. So we were set.

To make sure my trip was the best it could be, when Catherine Haddad came to teach at our farm in August, I asked her to lunge me. When I was a working student, I quickly realized if I took a lesson on a horse, that horse went better. If I took a seat/lunge lesson, ALL of my horses went better.  She worked on my balance, which made my aids more independent.  I spent the next week riding at least one horse a day without stirrups.  I was going to be READY.

I had a total of 16 lessons in two four-day blocks. The plan was to take Venus and Sling on day one, then take Rocky and Secret for the remainder of that week.  That Saturday we’d come home. The following Tuesday Rocky and Secret would join me back at Hasslers.  Rocky would go home on Thursday, and Ember would have his first off-farm outing on Friday along with Secret’s final ride. 

I rearranged my lesson schedule, prepped Maddy to help with some of the at-home training rides so my evening work at home would alternate between teaching one evening, riding the next, and packed the trailer and headed out.

In my first lessons, Scott and I discussed my half halt.  In my lesson with Catherine 2 weeks before, she had asked me to lift Venus’ shoulders with my seat, and I wanted Scott’s help in clarifying how exactly to do that. I told him I felt like my half halt activated my mounts’ hind legs and increased back swing, but didn’t necessarily bring them taller and more rolling in their shoulders.  This became the theme of the trip. Defining, refining, and tweaking my seat so it becomes an invisible tool to create a harmonious ride.

I took crazy notes after almost every lesson (I think I missed one), and here’s some clips from the notes:

Clearly change my body language from the warm up set to the work set.

In lateral work, I can bring up one shoulder at a time. I cannot bring up both shoulders. Mix up lateral work with half-halt lines to get both shoulders supple and up.

Quick transitions and larger transitions within the gait are good for bringing shoulders up. Smooth transitions, both between and within the gait, are better for supple toplines and swinging backs.

When using my seat to make the horse more uphill - think of a pulsing push for my lower back into my hand. Don't just fall in love with activity, make sure I feel a change in the balance. If I half halt and the shoulders don't come up, leave the collection and set it up again. The activity has to lift the shoulders, unless I'm only working for activity, in which case my seat should behave differently.

When using my back more to create a collection, be careful not to fall behind the vertical with my shoulders. If I do, it makes my lower back stiff and not following as well.

If I'm worried that I don't have the shoulders up enough, length the stride a few steps. That will tell me. If shoulders are down, the horse will quicken instead of lengthen.

When I feel something tight, move in and out of it. Kind of like a rusty hinge, loosen it with movement. Don’t sit on the tight exercise.

When something feels good, figure out what I can make better.  Work on the individual parts, then go back to the whole. For example – in pirouettes, sometimes school hind legs, sometimes school bend, sometimes the shoulders, then go back and ride a technical pirouette.

Ride every change for the accessibility of the back that I need for tempi changes. Prepare the new side, then ride to change. When I can ride loud in the change and quiet right after, she's ready for tempi changes. Not before.

After I came home, I had that momentary can-I-do-this-without-Scott’s-help panic, but after watching my rides in the mirror, I was really happy with the picture I was seeing.  Overall, I found I was quieter as a rider. I was able to make changes with my seat that I would previously have made with my rein or leg.  Which, of course, meant smoother, more supple horses. 

I also found I had developed a bit more confidence in my tools.  I wasn’t worrying that my aids would work, or were they the correct ones for this moment.  I was just putting them on and reading the horse’s responses. 

Secret came home with taller shoulders in the trot, and smoother, relaxed flying changes. Rocky came home with a much better canter balance and rhythm.  Of the at-home horses, Venus benefited the most.  Between my pre-lesson with Catherine and the improvements in my half-halt, I now feel  more confident to compress and expand her powerful canter.  And it paid off – I took her to a schooling show September 14, and I have struggled with show nerves with her since about forever. On the 14th, I wasn’t nervous, and therefore neither was Venus.  We went in, did our thing, and earned our highest score at 3rd level ever – a 66.97% with 8’s on extended trot, extended walk and gaits.   

Of course, you ask, since Secret was prepping for Sport Horse Nationals, how did she do? She did well, and I’ll tell you all about it in my next blog.